Mozart's music is an invitation to the listener to venture just a little out of the sense of his own subjectivity.
Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it.
We have before us the fiendishness of business competition and the world war, passion and wrongdoing, antagonism between classes and moral depravity within them, economic tyranny above and the slave spirit below.
Exactly halfway between exegesis and practical theology stands dogmatics.
Whether the angels play only Bach praising God, I am not quite sure.
Where dogmatics exists at all, it exists only with the will to be a Church dogmatics, a dogmatics of the ecumenical Church.
Mozart's music always sounds unburdened, effortless, and light. This is why it unburdens, releases, and liberates us.
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