Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.
I can sort of will that stuff to happen to me if I put myself in the right headspace. Then I can actually get to a space where it won't just be one song that comes through, but a series of them.
Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
On Heartbreaker, I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs.
A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.
The weirdest thing I've been fascinated with nowadays is the new contemporary country music, which to me sounds like very strange '70s pop, and sometimes like rock music. But some of the themes in there - maybe it's because I know how the songs were written, but it really does sound like it was written by two or three people, with the idea to appeal to the most general audience.
A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.
I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.
I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.
To make a song is a gift, and once it's done it keeps evolving and changing and becomes a tool to interact with other people. It's like a conversation.
It's really very easy for me to be in The Cardinals, because I bring my voice, my guitar, and my songs to them, and then we all play around to find out what works.
When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.
You can imagine several scenes from Star Wars? The way they looked? For me, that's how music is. Sometimes I'll be developing riffs for songs, just while I'm sitting around and not playing.
There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
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