I'm not sure if there is a cultural loss of innocence specifically associated with the seventies. The oil crisis? The Watergate scandal? I really don't know. There's nothing there on the scale of Hiroshima.
Perhaps I can also add something about the rural setting of Remember You're a One-Ball! The countryside is a place - in mythological and perhaps in very real terms - of mixed innocence and sin. It is seen by townsfolk as idyllic, lazy, free of urban crime and social problems. But those who grow up in the country can tell stories that often surprise those who grow up in the towns.
I feel almost as if I had been born in a vacuum of innocence, and then had to come to terms with the fact that actually, I was born into the middle of history - the rather grimy normality of the 70s, which did, indeed, retain some traces of human innocence, but were also girded about by the demons of experience.
You might call this innocence. I had a sense of another world that had not been spoken of to me.
Speaking of [Philip] Larkin, in his poem about the First World War he wrote something like, "Never such innocence, before or since, that turned itself to past without a word".
Nonetheless, I'm not sure this entirely accounts for my Buddhist voice, which tells me forever to give up writing, to give up on relationships, simply to give up. Whatever it is, it doesn't seem to me to be the voice of innocence.
I can't imagine anyone ever again being able to make a film like, say, Summer Holiday, for instance, to give a British example, actually. And there will never be another Annette Funicello. I suppose it's the slight starchiness of the innocence that makes it unrepeatable.
If there is innocence on Earth again, I tend to imagine it in more [Henry David]Thoreau sort of terms.
I think the seventies caught the last red rays of the dying sun of this innocence, but were already a little cold and drab.
I suppose I could say that to be interested in innocence already suggests a remove from innocence, perhaps a longing for something that is lost.
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