Vijay Iyer Quotes - Page 2

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• I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.

  Vijay Iyer

  Mean, Thinking, Long

  Source: www.guernicamag.com

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• If you look at my collaborations, it is very much in line with all these others in the sense that it is a building of community, particularly among artists of color. This is what I learned from the example of elder African-American artists, which is where it is all coming from; to refuse to be silenced.

  Vijay Iyer

  Artist, Color, Community

  Source: pitchfork.com

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• Lately I feel being political is also about the company I keep and the ideas I put forward. When I do a curate a program or do a workshop, I want to make it intergenerational; I want to have women on the faculty and also among the students.

  Vijay Iyer

  Ideas, Political, Want

  Source: pitchfork.com

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• I want to make sure that I represent a variety of backgrounds and that represents the reality out here in the world.

  Vijay Iyer

  Reality, World, Want

  Source: pitchfork.com

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• I notice that Indians love to tweet about each other - will be like, yeah, go India, we're awesome, Indians are awesome, here is another example of an awesome Indian. That's a dangerous false nationalism that I am not interested in. There's a huge amount of diversity within our so-called communities; within the South Asian community, there are people who would never talk to each other.

  Vijay Iyer

  People, Diversity, Community

  Source: www.guernicamag.com

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• Electronic technology has been a part of music making and music listening for a century. We always treat it like it's new, and cutting edge, but it's actually omnipresent, so we should just treat it as part of the arsenal today.

  Vijay Iyer

  Cutting, Technology, Listening

  Source: www.guernicamag.com

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• What I find the challenge is with working with, say, digital machines - performing electronic music - is that when we play instruments there's a physical act that results in a physical vibration. There's a mapping between our exertions and resultant vibrations, or resonance.

  Vijay Iyer

  Challenges, Performing, Electronic Music

  Source: www.guernicamag.com

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• In the 1990s I got to play in a group that played in prisons in California. We would play in maximum security wards. It was infuriating. Those kinds of situations stick with me. We got to come in and play music for them because that's a way of caring, just offering something, a gift, basically. They're basically the most grateful audiences I've ever experienced, because nobody's giving them anything.

  Vijay Iyer

  Grateful, Caring, Giving

  Source: www.guernicamag.com

  4 Copy quote

• The thing about physicists is that they tend to think that everything is physics. I don't. That's not what music is to me. You can explain aspects of it in physical terms, including the physics of anatomy: how our bodies move, the torsional moment of inertia, the way you move your body to a beat, the inherent periodicities of the heartbeat, the gait. That's physics, too, I guess - maybe they'd call it biophysics.

  Vijay Iyer

  Moving, Heart, Thinking

  Source: www.guernicamag.com

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• Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.

  Vijay Iyer

  Sorry, Moving, Opportunity

  Source: www.guernicamag.com

  4 Copy quote

• When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!

  Vijay Iyer

  Giving, Focus, Different

  Source: www.guernicamag.com

  4 Copy quote

• I'm what they call a 'non-black person of color': NBPOC. It's easy and seductive and common to mobilize around these identity issues, but often that's done at the expense of considering structural anti-blackness. That puts everything in a slightly different light for me, especially because of where I am and why - where I am in the world of the arts, where I live, in Harlem - and the music that I've been able to make, whom I've been able to make it with, who has nurtured me. It's not just about solidarity. It's actually about debt.

  Vijay Iyer

  Art, Seductive, Identity

  Source: www.guernicamag.com

  4 Copy quote

• I've put live performance in a lot of spaces. Part of what I want to do is take over the takeover. Another way that someone put it is, you climb over the fence and you cut a hole in it, and let everyone else in. That's kind of what this is. The museum is a repository of great works, but there is certain work that no one ever calls great. This is an insistence on directing their attention to other stuff that's great, that never gets to be in a museum.

  Vijay Iyer

  Cutting, Attention, Kind

  Source: www.guernicamag.com

  4 Copy quote

• We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.

  Vijay Iyer

  Reading, Thinking, People

  Source: www.guernicamag.com

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• This is the last sentence of my dissertation: "What is soul in music if not powerfully embodied human presence?"

  Vijay Iyer

  Soul, Dissertation

  Source: www.guernicamag.com

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• In a mystical sense, three can become one, in the sense that two is not one; three is a way of resolving difference between two. It's about creating balance: of energies, of dispositions. Sonic balance. That's the approach for me, what it means.

  Vijay Iyer

  Mean, Balance, Energy

  Source: www.guernicamag.com

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• This is a tradition of resistance to the term that's as old as the term itself, especially because that term has been used to commodify and reduce black creativity, and also to appropriate and sell it. That's what John Coltrane said in an interview with a Japanese journalist: "Jazz is a word they use to sell our music, but to me that word does not exist." And he's treated as one of the central figures in the history of jazz. So if he rejected it, then why is it weird when I do it? I'm in the tradition!

  Vijay Iyer

  Creativity, Black, Jazz

  Source: www.guernicamag.com

  4 Copy quote

• I make a lot of music with other desis - that's hugely important to me, but it can't be the sum total of who I am and what I do. It's not accurate; it doesn't reflect my life experience.

  Vijay Iyer

  Important, Life Experience

  Source: www.guernicamag.com

  4 Copy quote

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