The individual soul touches upon the world soul like a well reaches for the water table. That which sustains the universe beyond thought and language, and that which is at the core of us and struggles for expression, is the same thing. The finite within the infinite, the infinite within the finite.
Colonialism is a terrible bane for a people upon whom it is imposed, but a blessing for a language. English's drive to exploit the new and the alien, its zeal in robbing words from other languages, its incapacity to feel qualms over the matter, its museum-size overabundance of vocabulary, it shoulder-shrug approach to spelling, its don't-worry-be-happy concern for grammar-the result was a language whose colour and wealth Henry loved.
I wish I could convey the perfection of a seal slipping into water or a spider monkey swinging from point to point or a lion merely turning its head. But language founders in such seas. Better to picture it in your head if you want to feel it.
What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences.
The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
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