To love a painting is to feel that this presence is ... not an object but a voice.
The crucial discovery was made that, in order to become painting, the universe seen by the artist had to become a private one created by himself.
Here, reality is not subordinated to painting, indeed painting seems the handmaid of reality, though we feel it tending towards a procedure which, while not at the mercy of appearances, is not yet in conflict with them.
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