Charles de Lint Quotes About Art

Quotes about: Art

• I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.

  Charles de Lint

  Art, Nature, Believe

• Life is like art. You have to work hard to keep it simple and still have meaning.

  Charles de Lint

  Art, Hard Work, Simple

  "The Ivory and the Horn". Book by Charles de Lint. Chapter "The Pochade Box", p. 318, 1996.

• The beginning of a friendship, the fact that two people out of the thousands around them can meet and connect and become friends, seems like a kind of magic to me. But maintaining a friendship requires work. I don't mean that as a bad thing. Good art requires work as well.

  Charles de Lint

  Art, Mean, Two

  Interview with M.M. Hall, www.publishersweekly.com. October 22, 2001.

• From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.

  Charles de Lint

  Art, Ideas, Air

• People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.

  Charles de Lint

  Art, Eye, Thinking

• It reminded me of that tongue-in-cheek quick history of art I'd overheard...Used to be people couldn't draw very well, then they could, and now they can't again.

  Charles de Lint

  Art, People, Tongue

• Beauty isn't what you see on TV or in magazine ads or even necessarily in art galleries. It's a lot deeper and a lot simpler than that. It's realizing the goodness of things, it's leaving the world a little better than it was before you got here. It's appreciating the inspiration of the world around you and trying to inspire others.

  Charles de Lint

  Art, Inspiration, Appreciate

  Charles de Lint (2002). “The Onion Girl”, p.137, Macmillan

• As children, we come into the world with a natural desire to both speak and draw. Society makes sure that we learn language properly, right from the beginning, but art is treated as a gift of innate genius, something we either have or don't.

  Charles de Lint

  Art, Children, Desire

  Charles De Lint (2000). “Triskell Tales: Twenty-two Years of Chapbooks”, Subterranean

• You don't have to be Michelangelo to teach basic art, just as you don't have to be Shakespeare to be able to teach the correct use of language.

  Charles de Lint

  Art, Teaching, Use

  Charles De Lint (2000). “Triskell Tales: Twenty-two Years of Chapbooks”, Subterranean

• Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.

  Charles de Lint

  Art, Fall, Inspiration

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