Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.
If the members of a class do not understand -- if those directly addressed fail to listen, or listening, fail to recognize a power in the voice -- surely the fault lies with the speaker, who, having attempted to secure their attention and enlighten their understandings, has failed in the attempt.
The prosperity of a book lies in the minds of readers. Public knowledge and public taste fluctuate; and there come times when works which were once capable of instructing and delighting thousands lose their power, and works, before neglected, emerge into renown.
Whatever lies beyond the limits of experience, and claims another origin than that of induction and deduction from established data, is illegitimate.
The magic of the pen lies in the concentration of your thoughts upon one object.
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