I no longer think she's just being nice. She's being kind. Which is much more a sign of character than mere niceness. Kindness connects to who you are, while niceness connects to how you want to be seen.
This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.
I was attempting to write the story of my life. It wasn't so much about plot. It was much more about character.
It's like you're a character in this book that everyone around you is writing, and suddenly you have to say, 'I'm sorry, but this role isn't right for me'. And you have to start writing your own life and doing your own thing.
This is what you do now to give your day topography--scan the boxes, read the news, see the chain of your friends reporting about themselves, take the 140-character expository bursts and sift through for the information you need. It's a highly deceptive world, one that constantly asks you to comment but doesn't really care what you have to say. The illusion of participation can sometimes lead to participation. But more often than not, it only leads to more illusion, dressed in the guise of reality.
Readers embrace all kinds of characters as long as they are written with emotional truth.
I can honestly say Ive never thought for a second about whether a character reflects poorly on any group. All that matters to me is that the character is true to my belief in who he or she is.
The important thing is for the characters to feel real, and to be given the humanity they are due. That granting of humanity is what separates a full portrait from a stereotype.
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