I don't judge in my books. I don't have to have the antagonist get shot or the protagonist win. It's just how it comes out. I'm just telling a story.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
To me, a book is a book, an electronic device is not, and love of books was the reason I started writing.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
I won't read a book that starts with a description of the weather. I don't read books over 300 pages, though I'll make an exception for Don Delillo.
These are rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.
I want the reader to know what's going on. So there's never a mystery in my books.
Never open a book with weather. There are exceptions. If you happen to be Barry Lopez, who has more ways to describe ice and snow than an Eskimo, you can do all the weather reporting you want.
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