I have to lie, if I don't want to take madmen seriously and become a madman myself
A man who loses his privacy loses everything. And a man who gives it up of his own free will is a monster.
...people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste.
The senator had only one argument in his favour: his feeling. When the heart speaks, the mind finds it indecent to object. In the realm of kitsch, the dictatorship of the heart reigns supreme.
Looking out over the courtyard at the dirty walls, he realized he had no idea whether it was hysteria or love.
Mankind's real moral test, a test so radical and so deep that it escapes our gaze, is probably the one of its relations with those that are the most at its mercy; the Animals.
The ludicrous element in our feeling does not make them any less authentic.
The difference between the university graduate and the autodidact lies not so much in the extent of knowledge as in the extent of vitality and self-confidence.
The border between good and evil is terribly fuzzy.
Nothing is more repugnant to me than brotherly feelings grounded in the common baseness people see in one another.
To rebel against being born a woman seemed as foolish to her as to take pride in it.
But if God is gone and man is no longer master, then who is master?
What is unique about the "I" hides itself exactly in what is unimaginable about a person. All we are able to imagine is what makes everyone like everyone else, what people have in common. The individual "I" is what differs from the common stock, that is, what cannot be guessed at or calculated, what must be unveiled, uncovered, conquered.
...[P]eople who shout joy from the rooftops are often the saddest of all... (p.24)
From the top of the staircase she sees the London train, modern and elegant, and she tells herself again: Whether it's good luck or bad to be born onto this earth, the best way to spend a life here is to let yourself be carried along, as I am moving at this moment, by a cheerful, noisy crowd moving forward.
The beauty of New York is unintentional; it arose independent of human design, like a stalagmite cavern.
What does it mean to live in truth? Putting it negatively is easy enough: it means not lying, not hiding, and not dissimulating.
Bacon's portraits are an interrogation on the limits of the self. Up to what degree of distortion does an individual still remain himself? To what degree of distortion does a beloved person still remain a beloved person? For how long does a cherished face growing remote through illness, through madness, through hatred, through death still remain recognizable? Where is the border beyond which a self ceases to be a self?
We can never establish with certainty what part of our relations with others is the result of our emotions - love, antipathy, charity, or malice - and what part is predetermined by the constant power play among individuals.
...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.
Radio... force-feeds us music... everywhere and all the time... sewage-water music in which music is dying.
Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity.
Extremism means borders beyond which life ends, and a passion for extremism, in art and in politics, is a veiled longing for death.
Graphomania (a mania for writing books) inevitably takes on epidemic proportions when a society develops to the point of creating three basic conditions: - (1) an elevated level of general well being which allows people to devote themselves to useless activities (2) a high degree of social atomization and , as a consequence, a general isolation of individuals; (3) the absence of dramatic social changes in the nation's internal life.
War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.
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