Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
While listening, to things like western swing, for instance, I'd work something out in my head, then play it on my National; not the same song, but one that captured the feeling of the original tune.
The music you make is shaped by what you play it on ... if you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning ... do something to shake it up.
Juliet, when we made love, you used to cry. You said, "I love you like the stars above, I'll love you 'til I die". There's a place for us, you know the movie song. When you gonna realize it was just that the time was wrong, Juliet?
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.
I don't really think of Dire Straits as a sound, you know. It. just depends on the song, and the stuff we're doing is so varied.
What I always try to do is to respond to the song; I've always rebelled against theory.
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