Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.
[Zwarte Piet] is unfortunate, and just like the early American blackface films, if it offends a segment of the population, it shouldn't be shown again.
I wasn't that much of a Disney buff growing up, but I love the mystical and magical nature of Peter Pan, and I have connected with that character through Owen [Suskind] in making this film ["Life, Animated"].
I didn't have a lot of exposure to films as a kid, and I never went to the cinema. I had a single mom who just planted me in front of the television.
I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people.
It is our stories [classic Disney films] that make us human - so Owen [Suskind] has become an expert in what connects us and makes us human. That got to me, the power of these stories, and the lessons these tales give us to create the connection between us.
I mentioned before, these [classic Disney films] are classic mythological tales, a hero's journey, and have been told for thousands of years. Disney has updated them, and made them accessible for us.
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