Trust that which gives you meaning and accept it as your guide
Dreams are impartial, spontaneous products of the unconscious psyche, outside the control of the will. They are pure nature; they show us the unvarnished, natural truth, and are therefore fitted, as nothing else is, to give us back an attitude that accords with our basic human nature when our consciousness has strayed too far from its foundations and run into an impasse.
It is my mind, with its store of images, that gives the world colour and sound; and that supremely real and rational certainty which I call "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind.
It is my mind, with its store of images, that gives the world color and sound; and that supremely real and rational certainty which I can "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images.
Only one who has risked the fight with the dragon and is not overcome by it wins the "treasure hard to attain." He alone has a genuine claim to self-confidence, for he has faced the dark ground of his self and thereby has gained himself. This experience gives him faith and trust.
Whenever we give up, leave behind, and forget too much, there is always the danger that the things we have neglected will return with added force
Everyone can afford to give away a smile.
The woman is increasingly aware that love alone can give her full stature, just as the man begins to discern that spirit alone can endow his life with its highest meaning. Fundamentally, therefore, both seek a psychic relation to the other, because love needs the spirit, and the spirit love, for their fulfillment.
In studying the history of the human mind one is impressed again and again by the fact that its growth keeps pace with a widening range of consciousness, and that each step forward is an extremely painful and laborious achievement. One could almost say that nothing is more hateful to man than to give up the smallest particle of unconsciousness. He has a profound fear of the unknown. Ask anybody who has ever tried to introduce new ideas!
Conflicts create the fire of affects and emotions; and like every fire it has two aspects: that of burning and that of giving light.
As soon as the dialogue between two people touches on something fundamental, essential, numinous, and a certain rapport is felt, it gives rise to a phenomenon which Lévy-Bruhl fittingly called participation mystique. It is an unconscious identity in which two individual psychic spheres interpenetrate to such a degree that it is impossible to say what belongs to whom.
The highest, most decisive experience is to be alone with one's own self. You must be alone to find out what supports you, when you find that you can not support yourself. Only this experience can give you an indestructible foundation.
The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image and elaborating and shaping the image into the finished work. By giving it shape, the artist translates it into the language of the present and so makes it possible for us to find our way back to the deepest springs of life.
The facts of nature cannot in the long run be violated. Penetrating and seeping through everything like water, they will undermine any system that fails to take account of them, and sooner or later they will bring about its downfall. But an authority wise enough in its statesmanship to give sufficient free play to nature - of which spirit is a part - need fear no premature decline.
Whenever you hear anyone talking about a cultural or even about a human problem, you should never forget to inquire who the speaker really is. The more general the problem, the more the person will smuggle his or her own personal psychology into the account he or she gives of it.
I deliberately and consciously give preference to a dramatic, mythological way of thinking and speaking, because this is not only more expressive but also more exact than an abstract scientific terminology, which is wont to toy with the notion that its theoretic formulations may one fine day be resolved into algebraic equations.
You can take away a man's gods, but only to give him others in return.
Aging people should know that their lives are not mounting and unfolding but that an inexorable inner process forces the contraction of life. For a young person it is almost a sin and certainly a danger to be too much occupied with himself; but for the aging person it is a duty and a necessity to give serious attention to himself.
There is, however, a strong empirical reason why we should cultivate thoughts that can never be proved. It is that they are known to be useful. Man positively needs general ideas & convictions that will give a meaning to his life & enable him to find a place for himself in the universe. He can stand the most incredible hardships when he is convinced that they make sense; he is crushed when on top of all his misfortunes, he has to admit that he is taking part in a ‘tale told by an idiot.’
A man who has not passed through the inferno of his passions has never overcome them. They then dwell in the house next door, and at any moment a flame may dart out and set fire to his own house. Whenever we give up, leave behind, and forget too much, there is always the danger that the things we have neglected will return with added force.
Man positively needs general ideas and convictions that will give a meaning to his life and enable him to find a place for himself in the universe.
Creativity is the art that can give rise to visionary metaphorical relationships, as opposed to purely psy-chological ones.
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