When a woman is talking to you, listen to what she says with her eyes.
If you look in the eyes of the young, you see flame. If you look in the eyes of the old, you see light.
There is a determined though unseen bravery that defends itself foot by foot in the darkness against the fatal invasions of necessity and dishonesty. Noble and mysterious triumphs that no eye sees, and no fame rewards, and no flourish of triumph salutes. Life, misfortunes, isolation, abandonment, poverty, are battlefields that have their heroes; obscure heroes, sometimes greater than the illustrious heroes.
Curiosity is gluttony. To see is to devour.
I have examined the death penalty under each of its two aspects: as a direct action, and as an indirect one. What does it come down to? Nothing but something horrible and useless, nothing but a way of shedding blood that is called a crime when an individual commits it, but is sadly called "justice" when society brings it about. Make no mistake, you lawmakers and judges, in the eyes of God as in those of conscience, what is a crime when individuals do it is no less an offense when society commits the deed.
Nothing discernible to the eye of the spirit is more brilliant or obscure than man; nothing is more formidable, complex, mysterious, and infinite. There is a prospect greater than the sea, and it is the sky; there is a prospect greater than the sky, and it is the human soul.
Promise to give me a kiss on my brow when I am dead. --I shall feel it." She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:-- "And by the way, Monsieur Marius, I believe that I was a little bit in love with you.
One is not idle because one is absorbed. There is both visible and invisible labor. To contemplate is to toil, to think is to do. The crossed arms work, the clasped hands act. The eyes upturned to Heaven are an act of creation.
Love would never be a promise of a rose garden unless it is showered with light of faith, water of sincerity and air of passion. Sometimes we make love with our eyes. Sometimes we make love with our hands. Sometimes we make love with our bodies. Always we make love with our hearts. If I could reach up and hold a star for every time you've made me smile, the entire evening sky would be in the palm of my hand. To love another person is to see the face of God.
Nothing can be more depressing than to expose, naked to the light of thought, the hideous growth of argot. Indeed it is like a sort of repellent animal intended to dwell in darkness which has been dragged out of its cloaca. One seems to see a horned and living creature viciously struggling to be restored to the place where it belongs. One word is like a claw, another like a sightless and bleeding eye; and there are phrases which clutch like the pincers of a crab. And all of it is alive with the hideous vitality of things that have organized themselves amid disorganization.
From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.
They adored each other; but still the permanent and the immutable subsist. We may love and laugh, pout, clasp hands, smile, and exchange endearments, but that does not affect eternity. Two lovers hide in the dusk of evening, amid flowers and the twittering of birds, and enchant each other with their hearts shinning in their eyes; but the stars in their course still circle through infinite space.
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
The mother...swinging the children by pulling on a length of string, while at the same time she kept and eye on them with that protective watchfulness, half animal, half angelic, which is the quality of motherhood.
The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.
At the moment when her eyes closed, when all feeling vanished in her, she thought that she felt a touch of fire imprinted on her lips, a kiss more burning than the red-hot iron of the executioner.
At that moment of love, a moment when passion is absolutely silent under omnipotence of ecstasy, Marius, pure seraphic Marius, would have been more capable of visiting a woman of the streets than of raising Cosette’s dress above the ankle. Once on a moonlit night, Cosette stopped to pick up something from the ground, her dress loosened and revealed the swelling of her breasts. Marius averted his eyes.
When the heart is dry the eye is dry.
Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls.
The mind's eye can nowhere find anything more dazzling or more dark than in man; it can fix itself upon nothing which is more awful, more complex, more mysterious, or more infinite. There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.
These are dark radiances. They have no suspicion that they are to be pitied. Certainly they are so. He who does not weep does not see. They are to be admired and pitied, as one would both pity and admire a being at once night and day, without eyes beneath his lashes but with a star on his brow.
Strange to say, the luminous world is the invisible world; the luminous world is that which we do not see. Our eyes of flesh see only night.
If God had intended that man should go backward, he would have given him eyes in the back of his head.
We shall not attempt to give the reader an idea of that tetrahedron nose-that horse-shoe mouth-that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart-of those straggling teeth with breaches here and there like the battlements of a fortress-of that horny lip, over which one of those teeth projected like the tusk of an elephant-of that forked chin-and, above all, of the expression diffused over the whole-that mixture of malice, astonishment, and melancholy. Let the reader, if he can, figure to himself this combination.
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