A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti.
Oliver Stone is a great director and I've seen many films over the years, but I try to create stuff out of my own imagination. I want to break all the rules and mess about with it and make a different movie just for the fun of it.
I still don't know what the film was about because all I remember is a whole lot of technical dialogue about a body in a suitcase.
Shakespeare's so bloody difficult, and I don't like failure. You can fail on film, but there's nobody actually there in the flesh to watch you failing.
There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.
I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.
I don't have any expectations about my films. If they're good, they're good - if they're not, they're not. About 10 years ago, I remember going to see one of my movies - I can't even remember which one now - and everyone was jumping up and down, getting excited, saying what a great film it was going to be. We all went in and watched it, and it was the slowest movie I've ever seen. The next day, the reviews were terrible and half the studio was fired.
I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.
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