The moment you cheat for the sake of beauty, you know you're an artist.
What an artist is trying to do for people is bring them closer to something, because of course art is about sharing. You wouldn't be an artist unless you wanted to share an experience, a thought.
Art has to move you and design does not, unless it's a good design for a bus.
All art is contemporary, if it's alive, and if it's not alive, what's the point of it?
In the end nobody knows how it's done — how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.
The moment you can learn to deal with homosexuality in art, it's quite an exciting moment, just as in a sense when people 'come out' it's quite an exciting moment. It means they become aware of their desires, and can deal with them in a remarkably honest way.
All painting, no matter what you are painting, is abstract in that it's got to be organized.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
People criticized me for my photography. They said it's not art.
I have always believed that art should be a deep pleasure...ther e is always, everywhere, an enormous amount of suffering. But I believe my duty as an artist is to overcome and alleviate the sterility of despair...New ways of seeing mean new ways of feeling... I do believe that painting can change the world.
I'm convinced that technology and art go together - and always have, for centuries.
I went to art school actually when I was sixteen years old.
There's a Chinese proverb that says it all: Painting is an old man's art.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Until cubism, all art, all pictures, could be 'read' by anybody. If this hadn't been so, the Christian message wouldn't have been seen by peasants and its importance would have been diminished.
I'm sure that the camera is part of European art.
Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?
Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same.
...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
No theoretician, no writer on art, however interesting he or she might be, could be as interesting as Picasso. A good writer on art may give you an insight to Picasso, but, after all, Picasso was there first.
I've never been interested in, much in the politics of the art world, it doesn't interest me.
In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time.
The video camera dominates art. It's a bore, it makes everything look a bit the same. If you look at things with a pencil and paper in your hand, you are going to see far more.
I have always believed that art should be a deep pleasure. I think there is a contradiction in an art of total despair, because the very fact that the art is made seems to contradict despair.
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