I always want to do something that just sort of fits the mood. It's supposed to help the song, it's not supposed to take away from the song or re-contextualize it. I always feel like the less you make it a conceptual territorial debut, the better.
As soon as you start to think of that thing that you want to convey or say, you can always just say it much better than you can actually rhyme it or stuff it into a song. It's very, very difficult to just kind of get your point across without going the back way. And you have to be good at that, to not think about things so hard. Let the pen take over, so that it's somebody else's job to dissect the lyrics and tell you what you're all about.
I hate not understanding the words, because it kind of squashes the song. It shrinks the visual landscape that you've made for the sounds. And, all of a sudden, the content eclipses things.
I never see songs as permanent. I'm always in a state of revising everything.
The music usually occurs to me as a complete sound, and then I have developed the skill of being able to translate that into a fully realized song.
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