You don't have to be brought up in a grand house to have a sense of the past, and I truly believe that there are certain people to whom or through whom the territory - the place, the past - speaks.
The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.
Yes, I have inherited the past because I have acknowledged it at last? And, now that I have come to understand it, I no longer need to look back.
I don't believe necessarily the past is in the past. It's eternal, it's all around us.
The English have always been greedy for news of times past, with that mixture of fatalism and melancholy which is part of the national character.
In 'The Plato Papers' I wanted to get another perspective on the present moment by extrapolating into the distant future. So in that sense, there's a definite similarity of purpose between a book set in the future and a book set in the past.
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