Rules and models destroy genius and art.
People of genius do not excel in any profession because they work in it, they work in it because they excel.
The definition of genius is that it acts unconsciously, and those who have produced immortal works have done so without knowing how or why.
Features alone do not run in the blood; vices and virtues, genius and folly, are transmitted through the same sure but unseen channel.
The assumption of merit is easier, less embarrassing, and more effectual than the actual attainment of it.
If goodness were only a theory, it were a pity it should be lost to the world. There are a number of things, the idea of which is a clear gain to the mind. Let people, for instance, rail at friendship, genius, freedom, as long as they will -the very names of these despised qualities are better than anything else that could be substituted for them, and embalm even the most envenomed satire against them.
Genius, like humanity, rusts for want of use.
Genius is native to the soil where it grows — is fed by the air, and warmed by the sun — and is not a hot - house plant or an exotic.
If we wish to know the force of human genius, we should read Shakespeare. If we wish to see the insignificance of human learning, we may study his commentators.
Death cancels everything but truth; and strips a man of everything but genius and virtue. It is a sort of natural canonization.
Dandyism is a variety of genius.
His hypothesis goes to this - to make the common run of his readers fancy they can do all that can be done by genius, and to make the man of genius believe he can only do what is to be done by mechanical rules and systematic industry. This is not a very feasible scheme; nor is Sir Joshua sufficiently clear and explicit in his reasoning in support of it.
Dandyism is a species of genius.
Genius only leaves behind it the monuments of its strength.
Men of the greatest genius are not always the most prodigal of their encomiums. But then it is when their range of power is confined, and they have in fact little perception, except of their own particular kind of excellence.
There is nothing so remote from vanity as true genius. It is almost as natural for those who are endowed with the highest powers of the human mind to produce the miracles of art, as for other men to breathe or move. Correggio, who is said to have produced some of his divinest works almost without having seen a picture, probably did not know that he had done anything extraordinary.
Talent is the capacity of doing anything that depends on application and industry and it is a voluntary power, while genius is involuntary.
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