I don't think there is any one route to directing.... Other than that I think you just have to think 'By any means possible' and take any job you can that will get you experience. I also did a lot for free. I got paid virtually nothing for my first film, but it changed my life.
It never occurred to me to be a film director, partly because I hadn't seen a single film by a female director, but I liked the idea of being a writer moving to Hollywood and being unhappy; that sounded romantic and fabulous to me.
It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.
I really dislike it when women reject feminism; that's ridiculous. I am a product of feminism. Without feminism I would not be making films.
I was lucky with my first film because it had Warhol in it. That was the selling point.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
I'm bored by films that revolve around a trick. I kind of know if a film is right for me; all the most important decisions are made intuitively.
One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.
My films have elements of genre in them, which prevents them from being purely art films.
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