It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
There are a lot of directors who are knowledgeable about images, and others who aren't.
I suppose I would still be a communicator, maybe a musician.
I was very happy sitting alone at a dining room table, writing a script.
That's why I like fast film. It gives you more freedom to light more naturally.
You have to understand the nature of light.
I can still recall the thrill of shooting my first film.
It took a while for me to grasp that my colleagues believe I have made an impact on the history of cinema.
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
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