Most of my work consisted of crossing out. Crossing out was the secret of all good writing.
I think good books have to make a few people angry.
I think one of the things you have to learn if you're going to create believable characters is never to make generalizations about groups of people.
I like having my back pressed against a wall and being made to work harder so I don't embarrass myself.
The secret of contentment lay in ignoring many things completely.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
Siobhan said that when you are writing a book you have to include some descriptions of things. I said that I could take photographs and put them in the book. But she said the idea of a book was to describe things using words so that people could read them and make a picture in their own head.
All the other children at my school are stupid. Except I'm not meant to call them stupid, even though this is what they are.
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
I don't mean that literary fiction is better than genre fiction, On the contrary; novels can perform two functions and most perform only one.
How pleased we are to have our eyes opened but how easily we close them again.
...and I wrote a book and that means I can do anything
And because there is something they can’t see people think it has to be special, because people always think there is something special about what they can’t see, like the dark side of the moon, or the other side of a black hole, or in the dark when they wake up at night and they’re scared.
... why I like timetables, because they make sure I don't get lost in time.
Books are like people. Some look deceptively attractive from a distance, some deceptively unappealing; some are easy company, some demand hard work that isn’t guaranteed to pay off. Some become friends and say friends for life. Some change in our absence - or perhaps it is we who change in theirs - and we meet up again only to find that we don’t get along any more.
I thought Bill Bryson's A Short History of Nearly Everything was remarkable. Managing to be entertaining while still delivering all that hard science was a pretty good trick to pull off.
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don’t even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in you life it is nice to think that they are what is called negligible, which means they are so small you don’t have to take them into account when you are calculating something.
I don't remember deciding to become a writer. You decide to become a dentist or a postman. For me, writing is like being gay. You finally admit that this is who you are, you come out and hope that no one runs away.
...and I went into the garden and lay down and looked at the stars in the sky and made myself negligible.
The one thing you have to do if you write a book is put yourself in someone else's shoes. The reader's shoes. You've got to entertain them.
At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We have jobs, children, partners, debts. This is the part of us to which literary fiction speaks.
Payments to the disabled are getting slashed and people like me are getting a tax cut. Who could possibly think that is a good thing?
No one wants to know how clever you are. They don't want an insight into your mind, thrilling as it might be. They want an insight into their own.
..and only sticks and stones can break my bones.
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