I just find that with music I've always felt a sort of comfort."Paranoid Android" was the saddest song I'd ever heard in my life, but it felt so good - it was like, "Oh, you understand where I'm coming from." I was at a weird age at the time, in a hardcore band that had no melody, no chance of finding any success, and I was just trying to figure out what the hell I was going to do with my life. And that came out and changed my life forever - on an artistic level, and a lyrical level, for sure.
I've always found it pretty difficult to write a happy song. Since I was a kid, when I pick up my guitar it's been hard for me to write some sort of bubblegum lyrics. It's not really ever been my route.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.
I would say it's always been in me to want to have victorious songs. I sort of want my songs to have a feeling of victory, but through a lot of pain. Like, you're 75 percent to the top of the mountain and sometimes you fall back to the bottom, but hopefully by the end of the record you'll feel like there's no mountain at all.
I've always found it pretty difficult to write a happy song.
There's a bunch of songs that I call B-sides on the record that you could argue could maybe have some potential commercial success with another artist, but for me, they just felt really whack.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
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