Germaine Greer Quotes About Art

Quotes about: Art

• Soccer is an art more central to our culture than anything the Arts Council deigns to recognize.

  Germaine Greer

  Soccer, Art, Culture

  1996 In The Independent, 28 Jun.

• Perhaps catastrophe is the natural human environment, and even though we spend a good deal of energy trying to get away from it, we are programmed for survival amid catastrophe.

  Germaine Greer

  Art, Loss, Survival

  Germaine Greer (1985). “Sex and destiny: the politics of human fertility”

• I grew up thinking there was one unpardonable sin – to be boring.

  Germaine Greer

  Art, Thinking, Sin

• At the same time as woman was becoming the showcase for wealth and caste, while men were slipping into relative anonymity and "handsome is as handsome does," she was emerging as the central emblem of western art.

  Germaine Greer

  Art, Men, Doe

  Germaine Greer (1972). “The female eunuch”

• The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.

  Germaine Greer

  Horse, Art, Men

  Germaine Greer (2001). “The Obstacle Race: The Fortunes of Women Painters and Their Work”, p.105, Tauris Parke Paperbacks

• A garden is a kinetic work of art, not an object but a process, open-ended, biodegradable, nurturant, like all women's artistry. A garden is the best alternative therapy.

  Germaine Greer

  Art, Garden, Alternatives

• Poetry exists partly to undermine the certainties of an accepted intellectual system, by opening a fissure of awareness at which the reality of the unconquered world may enter.

  Germaine Greer

  Art, Reality, Poetry

  Germaine Greer (1995). “Slip-shod sibyls: recognition, rejection and the woman poet”, Viking Pr

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