When I begin a story at my desk, the window to my back, the path is not there. As I start to walk, I make the path.
In my early twenties, that's when I really began to write. Before that, I was too busy working, keeping myself going.
A year and a half after the end of the war and the German occupation, Paris was muted and looked bruised and forlorn. Everywhere I went, I sensed the tracks of the wolf that had tried to devour the city. But Paris proved inedible, as it had been ever since its tribal beginnings on an island in the Seine, the Ile de la Cité.
There's a certain amount of tyranny in all of us to some extent, and in some people it's much more developed than in others. It's a different balance which makes us all different.
I don't know what makes a writer's voice. It's dozens of things. There are people who write who don't have it. They're tone-deaf, even though they're very fluent. It's an ability, like anything else, being a doctor or a veterinarian, or a musician.
My first job was working in a dress shop in Los Angeles in 1940, for $7 a week.
My father brought me a box of books once when I was about three and a half or four. I remember the carton they were in and the covers with illustrations by Newell C. Wyeth.
There was no way to grasp the reality of the present which slid away each second, invisible as air; reality only existed after the fact, in one's vision of the past.
I've always known a lot of very bad people, destructive, brutes of a certain kind. Then I've seen these lovely impulses and what not, and they've stayed with me and comforted me.
If a person had accused him of meanness, he could have defended himself. But with a dog - you did something cheap to it when you were sure no one was looking, and it was as though you had done it in front of a mirror.
I don't like to listen to music while I'm working.
When I had a few francs, I spent them at a café on the Place de Longchamps, a block or so from my pension, where I could order a glass of Beaujolais and a plate of string beans in vinaigrette for the equivalent of fifteen cents.
And what movies we saw! All the actors and actresses whose photographs I collected, with their look of eternity! Their radiance, their eyes, their faces, their voices, the suavity of their movements! Their clothes! Even in prison movies, the stars shone in their prison clothes as if tailors had accompanied them in their downfall.
My life was incoherent to me. I felt it quivering, spitting out broken teeth.
Life was an impenetrable mystery cloaked in babble.
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