I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.
I think despair and cynicism are two different things. On the flip side of hope is despair. Belief and doubt are the same thing, in that to believe something you have to actively doubt the opposite. And from my perspective, that's the deep end. You're dealing with the unknown; you're dealing with mystery.
I often use music as a handle for very emotionally explosive substances: love, sex, God, fear, doubt, politics, the economics of the soul - these are daunting thoughts in the back of my mind that I rarely visit without the safety gloves of song.
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