One more recent novelist to come along is Cormac McCarthy. Him, I like.
Saul Bellow never took my advice when he was my friend.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
Kafka is still unrecognized. He thought he was a comic writer.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.
I like that people who are not experts can not only understand but get engaged by my work. I like that Joe Paterno can read me. Bill Bradley.
I've been writing about James Fenimore Cooper. He was not a writer. Here was a man who was 30 years old and had never put anything more than his signature on paper.
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
Anybody in the next centuries wanting to know what it was like to be a poet in the middle of the 20th century should read Kaddish.
Cooper wrote a novel which is absolutely indistinguishable from Austen, completely from a female point of view, completely English, no sense that he was an American.
DeLillo never seems committed to me to what he is writing. Very nice surfaces, but he's got nothing underneath.
Gertrude Stein really thought of Hemingway as frail. He almost married Stein.
Foucault was the one person I met in France that I could talk to. He was a mensch. You know whether you agree with him or not because you know what he is saying.
Hemingway seems to be in a funny position. People nowadays can't identify with him closely as a member of their own generation, and he isn't yet historical.
I admire Ginsberg as a poet, despite the fact that he seems not to know when he is being good and when he is bad. But he will last, or at least those poems will last.
I never met anybody in my life who says, I want to be a critic. People want to be a fireman, poet, novelist.
I used to be fond of Indian arm wrestling.
Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.
Raymond Carver is good. I think he'll be appreciated more and more. He's an easy writer to imitate.
When somebody asks me what I do, I don't think I'd say critic. I say writer.
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