I used to think I was poor. Then they told me I was not poor, I was needy. They told me it was self-defeating to think of myself as needy, I was deprived. Then they told me underprivileged was overused. I was disadvantaged. I still do not have a dime but I have a great vocabulary.
The weekly cartoons, as were my plays, came from a sense of criticism, criticism of the times, critical of the culture, of our manners and attitudes towards each other. The children's books come from the reverse. They're more supportive, since we're living in a time where we talk more about kids and do less, we talk about balancing the budget and we do it by cutting education.
In the Depression, besides everybody being poor, our entertainment was much more primitive and innocent. The comic strip, which I so venerated, was still a very new form. Movies had just become talkies. Radio had just gone coast to coast for the first time. Network radio had just begun when I was a kid. So all of these forms were more or less in their infancy, and feeling their oats. Comics were fresh and funny and nervy, and in a sense, defiant of the prevailing culture.
I'm not electronically geared at all; I'm really a 19th century cartoonist. I have a 15-year-old daughter, and what she's attracted to is of course iPod and this pod and that, I mean stuff I don't even begin to know - I never learned how to type for Christ's sake! I can't get in her head and find out what she would do if she had the kind of talent I had, I don't have a clue. Every generation comes up with its own quirkiness and its own culture which gets its inspiration from what's in the air at that time.
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