Anybody who doesn't know that politics is crime has got a few screws loose.
As much as I transferred my mother to Elizabeth Shore of The Black Dahlia, as much as her dad mutated into an obsession with crime in general, well, I have thought about other things throughout the years.
When I look at Perfidia, I think, "That's a Pulitzer Prize winner. That's a National Book Award winner." It's not going to get it. It's going to be shelved in crime and it's just the way it is. I've done something that no one else has ever done; I've started out as a mystery writer, a police writer, and a crime writer, and I became something entirely different.
I think I'm out of crime fiction now, and I think the dividing line is American Tabloid.
I love thinking about American history, thinking about LA history. I love brooding on crime.
I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music.
The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.
Well, the clues are there. They always are. Which is why when crimes are solved decades after the fact, it's obvious that the clues had always been right in front of them. A traffic ticket in Brooklyn is how they got ["Son of Sam" serial killer] David Berkowitz. You've just got to look.
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