I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.
I wasn't writing stories with the intention of creating a particular collection. I simply wrote stories, and then discovered common themes among a good number of them.
Any of us who listen to the news or listen to stories our neighbors tell are accustomed to violence. We have to decide then to ignore the violence and create a gentler world in our fiction, or to heighten the violence through the use of point-of-view in order to explore it and gain some insight and understanding. Since I'm living with the violence and trouble in my brain, it's kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
The truth is I tried to write for years and I wasn't very good.
I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
My normal writing day involves three hours of actual writing, before noon, and the rest is just feeding the writing. There is teaching (so I can afford to write), travel to be planned and executed. There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.
Nobody tells young writers it's okay if you're not very good, you'll get better. So I just thought I'm not very good, so I should try to do every other thing besides writing. That's how I ended up being a hitchhiker, a world traveler, and a mathematician.
I can't personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics. I was just about to earn my Master's along the way, but I knew something was wrong because I found myself crying all the time.
I'm not much interested in my own self when I write. I'm interested in what I observe out there, what's going on around me.
Writing is so wrapped up in ego, but with math one is just trying to get it right, although you're often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
I was unhappy and I couldn't figure out what was the matter. And he told me to go take a writing course. And I didn't even know that one could learn to write in writing courses.
The best and easiest lesson for me was to learn that writing is mostly hard work.
I think by writing about a place with great specificity, you manage to make it universal.
I thought that you had to learn to write by yourself and if you couldn't do it, then you were out of luck.
Maybe the hardest lesson is the one I have to learn over and over again, that each story is its own animal, that every story I write is going to come only with difficulty.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
Weirdly the writing experience has not really changed that much except it used to be that I was busy because I had to work a couple of jobs to earn money, so I didn't have time to write.
You can't beat a good sonnet, and you can write a sonnet without being married to the damned thing.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it's nice to be wanted as a writer.
The great thing about fiction is that I don't have to settle on an answer to any troubling question, or even a solution. I hope that my stories serve as explorations and help show readers how and why real-life women don't always make the "correct" decisions in the face of economic and sexual troubles. We all screw up, but the women I write about don't have back-up plans or money in the back or resources to fix what they have broken.
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