Todd Haynes Quotes About Film

Quotes about: Film

• I figured I would be teaching my whole life and making experimental films on the side.

  Todd Haynes

  Teaching, Sides, Would Be

  Source: www.interviewmagazine.com

• In male-driven [films], the protagonist is not the person who's necessarily in harms way. There's a sense that they're going to figure out how to persevere and take on the obstacles and foes and you don't necessarily know if that's going to happen with the subjects of love stories.

  Todd Haynes

  Males, Stories, Way

  Source: www.interviewmagazine.com

• Music and film are parallel experiences: they are linear, they are narrative.

  Todd Haynes

  Narrative, Film, Linear

• I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.

  Todd Haynes

  Long, Heaven, Style

  Source: www.hollywoodchicago.com

• People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be?

  Todd Haynes

  Character, Gay, Thinking

  "What’s Happening to ‘Queer’ Cinema in the LGBT Film Boom?" by E. Alex Jung, www.vulture.com. May 16, 2018.

• It's like our go-to notion of innocent and secure mythology of American life. I was always amazed when people would come up to me and say that 'Far from Heaven' was exactly what it was like back then. [laughs] I was so disinterested in what it was 'really like' in the 1950s when I was putting the film together, I was only interested in what it was like in movies.

  Todd Haynes

  People, Laughing, Heaven

  Source: www.hollywoodchicago.com

• I think when you're trying to get a film together that's had a long gustation process before I came on board and was trying to get financed in various stages, sometimes you're trying to make it more friendly to the financial interests or the commercial interests of various parties.

  Todd Haynes

  Party, Thinking, Long

  Source: collider.com

• I know a bit about his [Sirk] life, but it's more about his style than biography. He was European and came out of a theater background, and could easily be defined as 'Brechtian.' He was expressionistic in his films, and was an example of those intensely intellectual artists who ended up working for American studios, and was handed the Ladies Home Journal and asked to adapt the stories for the screen. He found ways to use his artistry to make them interesting and nuanced, while critiquing American values in the process.

  Todd Haynes

  Home, Artist, Interesting

  Source: www.hollywoodchicago.com

• I found that with Rooney, her instincts in films was always to underplay and to sort of reduce down what was necessary to bring you in - a sense of economy, a sense of scale, which just seemed to understand the medium so well. When you see that in a younger actor, I always think it speaks to incredible knowledge. I can't exactly figure out where that comes from, that confidence to know how to be quiet.

  Todd Haynes

  Thinking, Actors, Quiet

  Source: www.buzzfeed.com

• I always bring it up to my lawyer every now and then. And another reason we have to revisit it is because there is a restoration going on right now for the film through UCLA and Sundance.

  Todd Haynes

  Ucla, Restoration, Lawyer

  Source: www.hollywoodchicago.com

• Once you are shooting a movie, even if it's your own script, you have to let it go at a certain point. That's true for every film. It breaks up into phases where the thing that you have in front of you is the thing you have to address, and you can't worry about what you imagined a scene was going to like and that it came out differently, because that's what you have to make work.

  Todd Haynes

  Worry, Let It Go, Shooting

  Source: www.interviewmagazine.com

• I hope it's water under the bridge, but Richard Carpenter is a complicated individual, and he's also entitled to his own opinion on how his sister is depicted. The film has lived on and survived, and to me is ultimately is an affectionate celebration of Karen Carpenter. I hope that wins out in the end.

  Todd Haynes

  Winning, Bridges, Water

  Source: www.hollywoodchicago.com

• I was about 6 or 7, I would have said I wanted to be an actor and an artist. And that just kind of kept honing itself around film and getting closer to film.

  Todd Haynes

  Artist, Actors, Kind

  Source: www.interviewmagazine.com

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