Roger Ebert Quotes About Character

Quotes about: Character

• We live in a box of space and time. Movies are windows in its walls. They allow us to enter other minds, not simply in the sense of identifying with the characters, although that is an important part of it, but by seeing the world as another person sees it.

  Roger Ebert

  Wall, Character, Space

  Roger Ebert (2002). “The Great Movies”, p.11, Crown Archetype

• In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.

  Roger Ebert

  Character, Laughing, Empathy

  Roger Ebert (2008). “The Great Movies II”, p.37, Crown Archetype

• It is hard enough to be good at all, but to be good in comedy speaks for your character.

  Roger Ebert

  Character, Comedy, Speak

• It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.

  Roger Ebert

  Reading, Character, Feelings

• One of the weapons Marvel used in its climb to comic-book dominance was a willingness to invent new characters at a dizzying speed. There are so many Marvel universes, indeed, that some superheroes do not even exist in one another's worlds, preventing gridlock.

  Roger Ebert

  Book, Character, Superhero

  Roger Ebert (2012). “Roger Ebert's Movie Yearbook 2013: 25th Anniversary Edition”, p.33, Andrews McMeel Publishing

• As I swim through the summer tide of vulgarity, I find that's what I'm looking for: Movies that at least feel affection for their characters. Raunchy is OK. Cruel is not.

  Roger Ebert

  Summer, Character, Swim

  Roger Ebert (2000). “Roger Ebert's Movie Yearbook 2001”, Andrews McMeel Pub

• The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.

  Roger Ebert

  Character, Hollywood, Film

• This sucks on so many levels." Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.

  Roger Ebert

  Character, Special, Jason

  Roger Ebert (2004). “Roger Ebert's Movie Yearbook 2005”, p.340, Andrews McMeel Publishing

• Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.

  Roger Ebert

  Character, Stories, Elements

• CROUCHING TIGER is nevertheless a gloriously big epic, starring the Hong Kong action stars Chow Yun-Fat and Michelle Yeoh in a visionary adventure where the characters seem set free from the force of gravity.

  Roger Ebert

  Stars, Character, Adventure

• Improvisation is a weird word because we often think it means that you make things up out of whole cloth right there on the spot, and that's rarely the case in acting. You have to know who the character is, what the situation is and what is needed.

  Roger Ebert

  Character, Mean, Thinking

  Source: www.aparchive.com

• When we go to the movies, we identify with the characters we see. That's why we go to the movies; we have a voyeuristic experience; we have an out of the body experience. The screen is more real than our thoughts are at the moment we are looking at the film and we place ourselves in the place of the people on the screen, and when they behave nobly, it makes us feel noble, when they are sad and when they have lost love, we feel sad; we can identify with that.

  Roger Ebert

  Real, Lost Love, Character

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