When I'm writing, I'm thinking about how the songs are going to play live. Fifty bars of rap don't translate onstage. No matter how potent the music, you lose the crowd. They want a hook; they want to sing your stuff back to you.
There were people who incorporated melody before me, but I would deem myself the first person to successfully rap and sing.
When I leave I always come right back here. The young spitter that everybody in rap fear.
Rap is stress, but it pays great.
I would say that I'm more moved by melody, even though I love to rap.
It's about finding what's next. I'm hesitant to let people know what producers I'm f---ing with, what I'm rapping about. I'd rather drop that winning hand out of nowhere.
Without me, rap is just a bunch of orphans.
I saw Nicki for the first time and, like, literally fell in love. She had this snap-back hat on that said 'Minaj.' She used to wear that every single day. She was like a theater student and she was so cold at rapping.
I would love to collect art at some point, but I think the whole rap/art world thing is getting kind of corny.
When I finish writing a rap verse. It's a lot like sex: You start off slow with ideas, like foreplay, and then you put your all into it. When you end it with the perfect thought, it's like that perfect last stroke.
Me being biracial, me being from Canada but having success in the States, I have all these moments in my life where I'm jumping roof to roof. Black to white. Singing and rapping.
There's two elements to rap: having the thoughts, and then being a great rapper.
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