For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
I thought, I might not look my best, I've forgotten half the words to my songs and I'm suffering from post-traumatic stress, but I've just got to get out there and do it.
Knowing what I knew about Russia, as much as I loved the music and was fascinated by the songs and the whole idea of it, I knew it would be a very lengthy and frustrating process.
Don't sing a song you can't carry off, like some 16-year-old kid singing 'My Way'. That song's not for you. You haven't lived that.
My next record I really just want it to be a collection of great songs, classic songs in a way.
I can imagine moving out to the seaside at some point. I like Brighton, my sister lives there. I'm a seaside boy and whenever I go there, I find myself writing songs about it.
That's what I like to do, I like to make songs.
A lot of the early songs I wrote were about the experience of going to London and meeting rent boys and transvestites and drag queens. A lot of my early material is that: the wide-eyed adventures of a middle-class boy.
Albums, with me, have never had an easy birth. Especially when all the songs are self-written songs.
I'm the most indecisive person in the world. I'll do three versions of a song, then think, "Is the demo better?"
I'd always wanted to write a song about a leather jacket and how wearing it makes you feel. I love leather jackets, and I've got a big collection of them.
I liked the idea of writing a song saying I'm happy with who I am, and I don't mind if people think I'm some old git.
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