Obama can't be everything to everyone. He changed. He did. I never thought I'd hear Obama say, "Let's go back to nuclear arms," but he did. In the meantime, the clear and present danger is the Republicans in the Senate. A lot of politics isn't heroic, it's as day-to-day as our lives themselves. We always want to make the Byronic choices, but Byron himself was not Byronic all the time either.
Hillary certainly needs the black vote, and Democrats need it. She's not doing anything too soon; she's raising her money and not wanting any issues to come back and bite her later. The black vote will be crucial for Hillary and so will the women's vote.
I can see Obama trying to be the president who suggests solutions for everyone who has experienced economic hardship.
What happened after World War I was disgraceful. Most veterans, like my great-uncle, were squashed back into place. Congress couldn't pass an anti-lynching bill. The World War II generation, though, wasn't going to take it.
If you're bored, your readers will be bored. If you're faking it, you won't get the kind of readers you want.
If your family or your people are looking over your shoulder, change your seat or push them away.
The rise of fascism in Europe sent most Americans home. Some black American communists who had emigrated to the Soviet Union perished in Stalin's purges of the late 1930s.
Home is the place where there is somebody who does not wish you any pain.
People from Europe and people from Africa encountered one another long before the invention of "Europe" and "Africa" and "white people" and "black people."
It's not nothing when you're abroad and you don't have a washing machine.
You can get away with anything as long as it works.
Europe was a very contentious subject in literature and yet jazz musicians still depended on Europe. Now it's not such a big deal.
The point of Berlin was that it seemed that only people like you ran the city. You never ran into people who weren't like you - especially when you lived as that kind of American in Berlin connected to the arts.
I think at the beginning of one's writing life, negative reviews are what one does to get attention and stake out your territory. It's also often a mistake.
When you're writing fiction it's a heightened voice. You're trying to cast a spell, which isn't the same thing as trying to cast someone into it. You are creating a reality but it's a different sort of performance.
Criticism shouldn't be a performance that upstages the work it's talking about.
In the 19th century, Berlin was called the German Chicago. Or Chicago was called the American Berlin because they were sort of new cities or new powerhouses.
When you are writing the kind of criticism you hope you're writing, everything depends on keeping your calm or your cool. You're trying to tell someone about something that they may know nothing about. They depend on you to read or interpret as best as you can.
The hardest thing about Berlin is letting it belong to other people.
Marriage equality is a very middle-class issue and voting rights is a very working-class issue. If you do not vote, who are you speaking for? Who will be the next Fannie Lou Hamer? If not you or someone you know, then who?
Freedom is having real choice. This offers a limited amount of choices. This is participating in a very imperfect system that we're desperately hanging onto, that we don't want to see further eroded.
I can see criticizing, complaining, protesting - anything but choosing not to vote. Too many people died for us not to vote.
It's not true that voting doesn't make a difference. To check out is political suicide. This is especially true for our young black artists. You don't want to inadvertently end up doing someone's bidding.
As for the not-black black president issue - white people can imagine blacks worse off than them, no problem. And now they can imagine blacks better off, no problem. But they still can't imagine black people who are just like them. That's the real problem. That's racism. Not being able to believe that those others are actually just like you.
Economic justice is not just something blacks are crying out for; whites are desperate for it, too. But in the public imagination, the face of poverty is black. In all actuality, the face of poverty is white.
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