What we [writers] do might be done in solitude and with great desperation, but it tends to produce exactly the opposite. It tends to produce community and in many people hope and joy.
In minority communities there's a sensitivity, often a knee-jerk reaction, to critical representations. There's a misunderstanding of what an artist does.
For me I was always a smart nerdy kid. I wasn't the smartest and I wasn't the nerdiest, but I was a smart nerdy kid my whole childhood, and I definitely wanted to be somehow involved with reading the rest of my life, and I came from a community, I lived in a community, I was part of a community where reading was considered completely alien.
I'm really into the rights of immigrants, the rights of the working poor. I'm one of those little activist types. I probably would have just gone to law school. And the scary part is that I was one of those kids who always tested really well. You put a test in front of me, and I would have been like do-do-do-do-do. I probably would have been some community lawyer somewhere - if anything, that's probably what I would have been doing.
I mean in the community that I grew up in, you know, a very, you know, mixed, almost entirely African Diaspora community, one of the things that we were not ever supposed to say was how much self-hatred and colorism determined and guided what we would call our desire. In other words, what we would consider beautiful.
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