I can't control what people think. I'm not trying to manipulate people's thoughts or sentiments. I write all the time. You have to experience life, make observations, and ask questions. It's machine-like how things are run now in hip-hop, and my ambitions are different.
History has proven that it's impossible to crush the artist. There's always gonna be a need for somebody to write a poem or sing a song about something, about life - that makes it real. There's the word that goes beyond the word.
In the early '90s, when I really started to find my voice, I was reading a lot of books, and I was moved by the writers, like Chinua Achebe, and I wanted to be able to write rhymes that were as potent as what I was reading.
There was a time when hip-hop was its own musical principle, aside from sampling. Like the entire Wild Style break is instrumental. Kurtis Blow's earliest stuff was studio musicians playing. Whodini had a real clear sound, things like "five minutes of funk," stuff that you could write really beautiful, lush string and horn arrangements around, stuff that was just music.
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