I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
Photography just gets us out of the house.
Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
I am at war with the obvious.
We have a few things in common - smoking, drinking, and women. Photography just gets us out of the house. (To photographer Juergen Teller)
I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
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