Buffalo Bill's defunct who used to ride a watersmooth-silver stallion and break onetwothreefourfive pigeonsjustlikethat Jesus he was a handsome man and what i want to know is how do you like your blueeyed boy Mister Death
my mind is a big hunk of irrevocable nothing which touch and taste and smell and hearing and sight keep hitting and chipping with sharp fatal tools in an agony of sensual chisels i perform squirms of chrome and ex -ecute strides of cobalt nevertheless i feel that i cleverly am being altered that i slightly am becoming something a little different, in fact myself hereupon helpless i utter lilac shrieks and scarlet bellowings
more each particular person is(my love) alive than every world can understand and now you are and i am now and we're a mystery that will never happen again, a miracle which has never happened before and shining this our now must come to then
My advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world - unless you're not only willing, but glad, to feel and work and fight till you die.
Your homecoming will be my homecoming
hate blows a bubble of despair into hugeness world system universe and bang -fear buries a tomorrow under woe and up comes yesterday most green and young
Your poems are rather hard to understand, whereas your paintings are so easy. Easy? Of course - you paint flowers and girls and sunsets; things that everybody understands. I never met him. Who? Everybody. Did you ever hear of nonrepresentational painting? I am. Pardon me? I am a painter, and painting is nonrepresentational. Not all painting. No: housepainting is representational. And what does a housepainter represent? Ten dollars an hour. In other words, you don't want to be serious - It takes two to be serious.
All which isn't singing is mere talking... and all talking's to oneself alone but the very song of (as mountains feel and lovers) singing is silence.
...sunlight is (life and day are)only loaned:whereas night is given(night and death and the rain are given;and given is how beautifully snow)
for whenever men are right they are not young
The intellectuals' chief cause of anguish are one another's works. Jacques Barzun, 1959 all ignorance toboggans into know and trudges up to ignorance again.
All ignorance toboggans into know and trudges up to ignorance again.
The Cambridge ladies who live in furnished souls are unbeautiful and have comfortable minds.
guilt is the cause of more marauders than history's most obscene disauders
For surely as each November has its April, mysteries only are significant; and one mystery-of-mysteries creates them all: nothing false and possible is love (who's imagined,therefore limitless) love's to giving as to keeping's give; as yes is to if,love is to yes
a connotation of infinity sharpens the temporal splendor of this night when souls which have forgot frivolity in lowliness,noting the fatal flight of worlds whereto this earth’s a hurled dream down eager avenues of lifelessness consider for how much themselves shall gleam, in the poised radiance of perpetualness. When what’s in velvet beyond doomed thought is like a woman amorous to be known; and man,whose here is alway worse than naught, feels the tremendous yonder for his own— on such a night the sea through her blind miles of crumbling silence seriously smiles
one pierced moment whiter than the rest -turning from the tremendous lie of sleep i watch the roses of the day grow deep.
Let must or if be damned with whomever's afraid down with ought with because with every brain which thinks it thinks, nor dares to feel.
Whatever's merely willful, and not miraculous (be never it so skilful) must wither fail and cease - but better than to grow beauty knows no.
maybe god is a child ‘s hand)very carefully bring -ing to you and to me(and quite with out crushing)the papery weightless diminutive world with a hole in it out of which demons with wings would be streaming if something had(maybe they couldn’t agree)not happened(and floating- ly int o
Nothing recedes like progress.
worms are the words but joy's the voice
O gouvernment francais, I think it was not very clever of You to put this terrible doll in La Ferte; for when Governments are found dead there is always a little doll on top of them, pulling and tweaking with his little hands to get back at the microscopic knife which sticks firmly in the quiet meat of their hearts.
nothing which we are to perceive in this world equals the power of your intense fragility:whose texture compels me with the colour of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens;only something in me understands the voice of your eyes is deeper than all roses) nobody,not even the rain, has such small hands -excerpt of #35 from "100 Selected Poems
they believe in Christ and Longfellow, both dead
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