I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.
It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.
Personally, I like films that make me a little bit uncomfortable because I think you're uncomfortable when something is real.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
I would never want to do something just for the sake of being independent or for the sake of doing big films. I'm always surprised by the material I'm attracted to. And that's how I like it. I like to be surprised.
I was 13 when I first saw my mum's films. There were these boys who said to me, 'Your mum makes sexy films,' and I said, 'She doesn't.' Then I watched them and my mum makes sexy films! I'm a huge fan of my mum.
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