Wes Craven Quotes About Film

Quotes about: Film

• Horror films don't create fear. They release it.

  Wes Craven

  Horror, Film, Release

• I love the fact that a lot of my audience is people from the inner city. African-Americans love my films. Whenever I go to have a meeting at Universal, the security guard just leaps to his feet and comes over, bumps my hand, and says, "Thank you! Thank you, I love your films!" And it's people who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, who like my films, and I like that.

  Wes Craven

  Love You, Cutting, People

  Source: film.avclub.com

• [I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

  Wes Craven

  Dark, Feelings, Done

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

  Wes Craven

  Horror, Film, Individual

• People who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, like my films, and I like that.

  Wes Craven

  Cutting, People, Survival

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• I'm writing a film called 'Bug.' It's an original script, and it's not about killer insects. It's a thriller set in a high school. The bug of the title refers to a surveillance device.

  Wes Craven

  Writing, School, Titles

• The experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people. That is a remarkable thing, if you scream and everyone else in the audience screams, you realize that your fears are not just within yourself, they're in other people as well, and that's strangely releasing.

  Wes Craven

  People, Stories, Realizing

  "Exclusive Interview: Wes Craven Talks Yeah Tv, Nightmare On Elm Street And His Future". Interview with Eric Walkuski, www.joblo.com. March 15, 2013.

• I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.

  Wes Craven

  Thinking, Years, Scary

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do.

  Wes Craven

  Art, Thinking, Europe

• I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one [film], because certainly there was all that fundamentalist guilt that came pouring back in.

  Wes Craven

  Years, Feelings, Guilt

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• I wasn't allowed to see movies when I was a child. It was against the religion I was raised in, Fundamentalist Baptist. I didn't go into a commercial movie house until I was a senior in college, and that was on the sly. It wasn't until I was in graduate school that I immersed myself in films. Then, I went to see all the films by Bergman, Fellini, etc.

  Wes Craven

  Senior, Children, School

• I've found that if you have two films that don't perform well it doesn't matter that you've had a bunch of successful ones. The phone stops ringing, and after Deadly Blessing and Swamp Thing that's what happened.

  Wes Craven

  Successful, Blessing, Phones

  "“I Don’t Feel Like I Gave Birth to Jesus”: Wes Craven on A Nightmare on Elm Street". Interview with Jim Hemphill, filmmakermagazine.com. August 31, 2015.

• I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.

  Wes Craven

  Powerful, Trying, Want

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.

  Wes Craven

  Heart, Paris, Scary

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

• I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.

  Wes Craven

  Dark, Thinking, Creative

  Source: film.avclub.com

• I love the fact that a lot of my audience is people from the inner city. African-Americans love my films.

  Wes Craven

  Cities, People, African American

  Interview with Scott Tobias, www.avclub.com. March 11, 2009.

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