My inspiration comes from many sources, and one of those sources is precisely the maison Versace. When I was a little boy, my family was not very well off. I had a sister who worked in a hairdressing salon. I lost my dad when I was 4 or 5 years old. I grew up with eight sisters and my mom. Nine incredible women all a little "à la Donatella Versace." Real strong women from the South of Italy, women who had sensuality. They had a confidence in their body and in their sensuality. And it was a poor family, I am very proud to say it.
If I am in fashion, it is really due to very few designers that I admire - not because I don't like the rest, or that the rest are not beautiful, but because I am very selective. I adore Versace. I adore Helmut Lang, despite the fact that it's over.
I think that's what you and I have in common, Donatella Versace, that careful balance. It makes me proud to be an Italian. In the end, I am proud to do what I do.
Most little children's obsessions are robots and Barbie dolls. My obsession as a kid was the Versace house. I used to save up my pocket money to buy Versus shirts. I was that obsessed!
My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."
What I very much admire about the Versace maison, and what I am still trying to learn to do myself as I am still young, is that from day one until today, Versace is the peak of sexy but never crosses that red line into the vulgar.
For me, aesthetically, Donatella Versace represent what the Italian woman is. There is always the American rock thing, the aristocratic, above-the-rest British manner, but Italy is at the heart of it.
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