Karin Dreijer Andersson Quotes

• I have been able to find out what I really really want to do myself, trying out ideas that I haven't been able to do before because you don't have to compromise when you work by yourself.

  Karin Dreijer Andersson

  Ideas, Trying, Able

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

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• Sometimes I think I should get another job, and do this only for its own purpose. It's important to separate creative expression from making money.

  Karin Dreijer Andersson

  Jobs, Thinking, Expression

  "The Knife: 'Music history is written by privileged white men'" by Sam Richards, www.theguardian.com. March 23, 2013.

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• When I start to write and record a track, I always think about where it is supposed to take place, what kind of room that is, and what kind of atmosphere it should have. Also how it should be performed, and by what kind of musicians or vocalists. I work in a very theatrically minded sort of way.

  Karin Dreijer Andersson

  Writing, Thinking, Track

  Source: www.avclub.com

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• Sometimes my lyrics are about things that are, well, not the brightest, but I have been working with this outlook for such a long time that it's not dark to me anymore. It's just something that you work through and in the end, it's a lot of happiness.

  Karin Dreijer Andersson

  Dark, Long, Sometimes

  Source: www.avclub.com

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• Music and art is about ideas, I think. Especially music. You have the freedom to work with your ideas and your dreams and your fantasies, which is quite hard to do in many other places.

  Karin Dreijer Andersson

  Dream, Art, Thinking

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

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• I believe that people would be happier sharing things and being much more of a collective rather than working from these neo-liberal ideas of just looking after yourself. I think people need each other.

  Karin Dreijer Andersson

  Believe, Thinking, Ideas

  "The Knife". Interview with Ryan Dombal, pitchfork.com. March 26, 2013.

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• Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.

  Karin Dreijer Andersson

  Drinking, Beer, Thinking

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

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• Stockholm is very, like, posh and uptight, and everything should be so luxurious and refurbished.

  Karin Dreijer Andersson

  Uptight, Should, Posh

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

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• Music has the potential and the capability to create something much bigger... it has the capability to be completely free, to do anything. And I think you limit that idea when you put yourself in front of it, in a way.

  Karin Dreijer Andersson

  Thinking, Ideas, Way

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

  4 Copy quote

• I live a bit outside of Stockholm and I almost never go into town. I can live anywhere, I think.

  Karin Dreijer Andersson

  Thinking, Towns, Stockholm

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

  8 Copy quote

• I have mostly software synthesizers and software drum machines. I'm very lazy. I don't really like to plug in a lot of equipment and external boxes and everything.

  Karin Dreijer Andersson

  Lazy, Machines, Plugs

  "Fever Ray". Interview with Marc Hogan, pitchfork.com. March 30, 2009.

  4 Copy quote

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