Morrissey writes wonderful song titles, but sadly he often forgets to write the song.
Writing about music is like dancing about architecture - it's really a stupid thing to want to do.
There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and 12 notes. For all that, we musicians do pretty well.
And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.
Sometimes I write notes that I have difficulty singing.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
It's what I do. I don't deserve any awards for this, it's just music. It's just writing songs. You sit down, you write a song, you record it. You tour and play the songs live, dress them up a bit differently, or dress them down.
I think when I was younger I was not very good at writing love songs that didn't have a twist.
I can write orchestrations, but I can't sight-read music and play at the same time. I don't have enough facility.
I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.
I'm a man with a mission in two or three editions And I'm giving you a longing look Everyday, everyday, everyday I write the book.
Really the only thing holding a lot of records together is the personality of the singer, and the will to write all of these different things.
Sometimes I write notes that I have difficulty singing. And you start talking yourself out of the bold melody and start wanting to arrange it in another key or something. Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
Smokey Robinson writes the heartfelt songs, whereas it was my job to write the songs about weakness and failure in love.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
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