You must take your opponent into a deep dark forest where 2+2=5, and the path leading out is only wide enough for one
In my games I have sometimes found a combination intuitively simply feeling that it must be there. Yet I was not able to translate my thought processes into normal human language.
Some sacrifices are sound; the rest are mine
There are two types of sacrifices: correct ones and mine
Quiet moves often make a stronger impression than a wild combination with heavy sacrifices.
Botvinnik's right! When he says such things, then he's right. Usually, I prefer not to study chess but to play it. For me chess is more an art than a science. It's been said that Alekhine and I played similar chess, except that he studied more. Yes, perhaps, but I have to say that he played, too.
Fischer is the greatest genius to descend from the chess heavens.
Just as one's imagination is stirred by a girl's smile, so is one's imagination stirred by the possibilities of chess.
To play for a draw (at any rate with White) is to some degree a crime against chess.
It is difficult to play against Einstein's theory -on his first loss to Fischer
Fischer is Fischer, but a knight is a knight!
I have always thought it a matter of honour for every chess player to deserve the smile of fortune.
I will not hide the fact that I love to hear the spectators react after a sacrifice of a piece or pawn. I don't think that there is anything bad in such a feeling; no artist or musician is indifferent to the reactions of the public.
When I asked Fischer why he had not played a certain move in our game, he replied: 'Well, you laughed when I wrote it down!'
Of course, errors are not good for a chess game, but errors are unavoidable and in any case, a game without ant errors, or as they say 'flawless game' is colorless.
Without technique it is impossible to reach the top in chess, and therefore we all try to borrow from Capablanca his wonderful, subtle technique.
Later, I began to succeed in decisive games. Perhaps because I realized a very simple truth: not only was I worried, but also my opponent
For pleasure you can read the games collections of Andersson and Chigorin, but for benefit you should study Tarrasch, Keres and Bronstein.
As long as my opponent has not yet castled, on each move I seek a pretext for an offensive. Even when I realize that the king is not in danger.
I go over many games collections and pick up something from the style of each player.
The cherished dream of every chessplayer is to play a match with the World Champion. But here is the paradox: the closer you come to the realization of this goal, the less you think about it.
Many Chess players were surprised when after the game, Fischer quietly explained: 'I had already analyzed this possibility' in a position which I thought was not possible to foresee from the opening
I'd like to always be romantic in chess. Sadly, this doesn't always work like that.
Chess isn't football or hockey.
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