If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
If the light is great in front of you, you should turn around and see what it is doing behind you.
Try to go out empty and let your images fill you up.
Always carry a camera, it's tough to shoot a picture without one.
Photography is an act of love.
I'm a New Yorker. I don't believe in air unless I can see it.
If you're not shooting in the right direction, it doesn't matter how well you're shooting.
If you want to make more interesting pictures, become a more interesting person.
If you can capture the element of surprise, you're way ahead of the game.
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
Be aware of every square millimeter of your frame.
I don't see light as something that falls, but as a positive force.
As people, we love pattern. But interrupted pattern is more interesting.
Never put lettering in your photos unless you want it read.
There is no one solution to all problems. It's the problem itself that can lead to the solution.
Never say you're going back - SHOOT IT NOW!
When finding the right angle for a shot...'Move your ass.'
We have always wanted to find the 'it-ness' of anything we shoot. We want to get as deep into the subject as we can.
What you're shooting at doesn't matter, the real question is: 'Does it give you joy?'
I love when pictures ask questions or make others ask questions.
You have to pick the right tool for the point you're trying to make and there is no one solution.
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.
You will, in time, see and show others not just the superficial, but the details, the meanings, and the implications of all that you look at.
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