Samuel Taylor Coleridge Quotes About Character

Quotes about: Character

• To carry feelings of childhood into the powers of adulthood, to combine the child's sense of wonder and novelty with the appearances which every day for years has rendered familiar, this is the character and privilege of genius, and one of the marks which distinguish it from talent.

  Samuel Taylor Coleridge

  Children, Character, Years

• Fellows of colleges in the universities are in one sense the recipients of alms, because they receive funds which originally were of an eleemosynary character.

  Samuel Taylor Coleridge

  Character, College, Alms

• The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.

  Samuel Taylor Coleridge

  Philosophical, Character, Men

  Samuel Taylor Coleridge (2015). “Shakespeare, With Introductory Matter on Poetry, The Drama, and The Stage by S.T. Coleridge: Coleridge’s Essays and Lectures on Shakespeare and Other Old Poets and Dramatists”, p.61, e-artnow

• Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.

  Samuel Taylor Coleridge

  Character, Opportunity, Thinking

  Samuel Taylor Coleridge, William Greenough Thayer Shedd (1854). “The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions”, p.285

• The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.

  Samuel Taylor Coleridge

  Character, Two, Keys

  Samuel Taylor Coleridge (1835). “Specimens of the table talk”

• As there is much beast and some devil in man, so is there some angel and some God in him. The beast and the devil may be conquered, but in this life never destroyed.

  Samuel Taylor Coleridge

  Character, Angel, Men

  Samuel Taylor Coleridge, William Greenough Thayer Shedd (1854). “The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions”, p.364

• How wonderfully beautiful is the delineation of the characters of the three patriarchs in Genesis! To be sure if ever man could, without impropriety, be called, or supposed to be, "the friend of God," Abraham was that man. We are not surprised that Abimelech and Ephron seem to reverence him so profoundly. He was peaceful, because of his conscious relation to God.

  Samuel Taylor Coleridge

  Beautiful, Character, Men

  Samuel Taylor Coleridge, Henry Nelson Coleridge (1851). “Specimens of the Table Talk of Samuel Taylor Coleridge”, p.73

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