When I left school, I got a job in a shoe shop and I used to save 15 quid a week and pay for my own singing and acting lessons.
On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.
Not everybody's a great singer, but people can get better at singing. There's great singing teachers out there. It's a muscle, you just have to train it.
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