When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
The flood of print has turned reading into a process of gulping rather than savoring.
That's one thing I like about Hollywood. The writer is there revealed in his ultimate corruption. He asks no praise, because his praise comes to him in the form of a salary check. In Hollywood the average writer is not young, not honest, not brave, and a bit overdressed. But he is darn good company, which book writers as a rule are not. He is better than what he writes. Most book writers are not as good.
They write them long because they can't write them short.
You can't tell a doper well under control from a vegetarian book-keeper.
If you liked a book, don't meet the author
As it is she will probably turn out to be one of these acid-faced virgins that sit behind little desks in public libraries and stamp dates in books.
A good title is the title of a successful book.
If my books had been any worse, I should not have been invited to Hollywood, and if they had been any better, I should not have come.
The publishers and others should quit worrying about losing customers to TV. The guy who can sit through a trio of deodorant commercials to look at Flashgun Casey or swallow a flock of beer and loan-shark spiels in order to watch a couple of fourth-rate club fighters rub noses on the ropes is not losing any time from book reading.
When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature.
Let us never accept the point of view that mysteries are written by hacks. The poorest of us shed our blood over every chapter. The best of us start from scratch with every new book.
At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.
The average detective story is probably no worse than the average novel, but you never see the average novel. It doesn't get published. The average -- or only slightly above average -- detective story does.... Whereas the good novel is not at all the same kind of book as the bad novel. It is about entirely different things. But the good detective story and the bad detective story are about exactly the same things, and they are about them in very much the same way.
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